![]() Repetitions and variations are introduced with a specific periodicity. The duty of every musician is then to play with the repetitions that reinforces the identity of a musical structure, and to regularly introduce the necessary variations that renews the interest of the previously defined structure. But let’s supose that listeners expect variations within the style/genre they like, and that they need bonds to reach genres they can’t initially appreciate.A My musical tips with RenoiseSo, musical genres need to be renewed, executed differently, with new techniques or technologies, and also, they need to find bonds to reach other defined musical identities. And maybe the fragmentation has nothing to do with the real and true musical expectations.For sure, it’s very hard for me to define what is a « good » musical idea, in the mind of masses of listeners (if I knew it I’ll be probably far more famous). Speaking about listeners, they are fragmented by the industry into defined markets and genres. If you don’t previously have a good musical idea, you can know & use the ultimate mixing pro tips and pro hardware to increase the volume, what you’ll finally get with a louder sound, is ear fatigue, and a louder evidence of your lack of good ideas.Since music is played to be listened by a public (even if it’s a public made of 2 persons), this music can’t be conceived without the listeners in mind. And however even if you can’t exactly predict what these listeners want and like, you can be sure that producing a BIG HUGE sound won’t make instant miracles, especially if you don’t have a good musical idea from the start. We should say that what’s the most important to understand first is that the « mix » is NOT based on a « canon listening rule », and a « canon mixing framework », but on the way YOU use your tools, and YOU want the music to be felt by those listeners. Mixing is a question of knowledge about the tools you’re using and what you do is using your tools to produce some desired effects. Mixing and Mastering with Renoise Englishfrench version available.INTRODUCTION: GOOD IDEAS FIRSTFirst of all we should drop the idea to find a « universal method » to perform the right mix and the right master, that could systematically work all the time in every encountered situation with every listeners. ![]() And the software can be extended too: with scripting, you can use all of your MIDI or OSC controller to control it in exactly the way you want. On top of this, Renoise features a wide range of modern features: dozens of built-in audio processors, alongside support for all commonly used virtual instrument and effect plug-in formats. Step-editing in a pattern grid lends itself well to a fast and immediate workflow. Several patterns arranged in a certain order make up a song. In a tracker, the music runs from top to bottom in an easily understood grid known as a pattern. I must say that there must be tools that do these things much faster.I myself have been creating a tool that allows, among other things, to write the same note on separate tracks of different instruments (until 16).Renoise is a Digital Audio Workstation (DAW) that lets you record, compose, edit, process and render production-quality audio using a tracker-based approach. Ready!You should have 2 equal tracks with the instrument values changed… Advanced pattern editor: inside “Instruments”,change the values of the initial and final instrument that you want to change and press “Swap”.Show the advanced pattern editor (right column in pattern editor), and select “Track in Song”.Matrix Editor: Paste all the selected track inside the new track with the mouse.Matrix Editor: Copy all the selected track with the mouse.After SHIFT + click on the lower box… The whole track should be marked. ![]()
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